The concept of the "Gallery" is based on two main ideas: Gwangyeo's connection with the natural environment and its temporary, centerless nature. Drawing on the site's natural scenery, the façade resembles a sculpted rock made from layered natural sediments. Combined with the multi-faceted glass loop that surrounds the building, edging in and out of the stone volume at certain points, this reinforces the Gallery's connection to its context.
The purpose of using mosaics in the Gallery was to strengthen its connection with the context. This solution was a useful and effective way to evoke the natural surroundings, resulting in a smaller-scale surreal abstraction that maximized the building's contrast with the neutral, repetitive facades of the new city.
In addition, since the Gallery is a retail property, we were aware of the risks that a traditional façade could entail - opacity, rigidity, a generally broken surface - all this is hardly attractive overall. To avoid this, we used color as a tool to create a natural focal point for Gwanggyo and an integral part of the city's aesthetic.